In
addition to the advent of radio and record production during the 1930s, the
Great Depression saw a boom in the movie musical industry. Technology, popular
culture, and the music and movie industries aligned during this decade to begin
what would become one of the most popular forms of entertainment in the United
States—movie musicals.
Politicians
often allotted Hollywood the task of “cheering Americans up” during the
Depression, hoping that the entertainment industry could play a key role in
distracting Americans from the horrors of the economic downfall (Eckert). To
this challenge, Hollywood passed with flying colors. While movies had already
gained great popularity throughout the United States, this combination of
Broadway-style music with the glamour of film became widely popular.
Studios
like MGM, Paramount, and Fox made great strides during the 1930s, producing
movies like The Wizard of Oz, The Gay
Divorcee, and Swing Time (Balio, 211,221). Meanwhile, the stars of such
films came to represent the possibility of a glamorous lifestyle, giving hope
to those suffering through the economic crisis. Among the most popular
celebrities were Fred Astaire and Ginger Rogers, who starred in nine films
together during the 1930s, and were known for their dance scenes together
(Balio, 218). Another star that emerged during this decade was Shirley Temple,
who starred in eleven films between 1934 and 1936. She led Fox studios out of
their financial problems, bringing both the studio and their audience hope
(Eckert). A movie-musical that made history during the Great Depression was
Snow White and the Seven Dwarfs, the first full-length animated feature, which
was a huge leap for both the film and music industries.
The
emergence of the movie musical in the 1930’s was important in two respects—it
created a whole new genre of film, while giving the suffering citizenry a way
to escape their troubles, whether it be singing about animal crackers with
Shirley Temple or following the Yellow Brick Road with Dorothy.
Fred Astaire and Ginger Rogers dance in Swing Time.
Fred Astaire and Ginger Rogers dance in Swing Time.
Shirley Temple sings in Curly Top.
Works Cited
Balio, Tino. Grand Design: Hollywood as a
Modern Business Enterprise, 1930-1939. New York: Scribner, 1993. Print.
Eckert, Charles. "Shirley Temple and the
House of Rockefeller." Shirley Temple by Charles Eckert. Jump Cut,
n.d. Web. 18 Nov. 2012. <http://www.ejumpcut.org/archive/onlinessays/JC02folder/shirleytemple.html>.
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